A Creative Life Part 2 – Sophie Neville – Author Interview

Image Credits:-
All images from Pixabay/Pexels unless otherwise stated with many created in Book Brush. Book cover images from Chapeltown Books and Bridge House Publishing. Screenshots taken by me, Allison Symes.
Hope you have had a good week. Weather has slowly improved as the week has gone on. Writing wise, am delighted to share Part 2 of a fabulous interview with actress/writer/scriptwriter/artist, Sophie Neville, on Chandler’s Ford Today. Do check it out. (Have had some wonderful comments in on Part 1 too).
Lady has had a good week, getting to see her friends for most of the past few days. She always gets a real buzz from being with her buddies which is lovely to see.

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Facebook – General and Chandler’s Ford Today

Am thrilled to share Part 2 of a wonderful interview with Sophie Neville on Chandler’s Ford Today. This week, Sophie shares, amongst other things, how she came to write about chronic fatigue, her love of travelling (especially by horseback), and what she’d like to take to a desert island if I let her have the Bible, Shakespeare and, because I’m a fan, Jane Austen. Hope you enjoy the post. Many thanks for the lovely comments which have come in on Part 1 (especially on Facebook).

Author Interview – Sophie Neville – A Creative Life on Water, In Film, and In Writing – Part 2

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Lovely day. Lady got to see her Hungarian Vizler this morning and I was at the top of the queue to pick up a prescription at the chemists, which for me is about as common a happening as a solar eclipse. I’ll take this as a win!

Part 2 of my interview with Sophie Neville is up on Chandler’s Ford Today tomorrow, don’t miss. See above. Both parts of the interview have been a joy to prepare and there is so much inspiration here for anyone interested in the creative life in whatever way (as Sophie is also a very talented artist and scriptwriter).

Writing Tip: It’s easy to forget your old notebooks from writing conferences, events etc, but every now and again dig them out and have a look through. I’ve found work in these I’ve gone on to polish up and have published on CafeLit etc.

Equally you may come across something you want to explore further and which you’d forgotten about so it is well worth having a flick through your books. It’s also cheering to look back at your earlier works and then see where you are now, writing wise. You will have made progress.

I can look back through my books and spot more easily whether something written back then could be developed or not. Just knowing that means I know now what could work and what absolutely won’t. It saves time! But unless you do look back through your books, you really won’t find that nugget where you could do something.

434052480_10161826408147053_6744102198749073238_nNice day today despite the weather. Lady got to play with her Rhodesian Ridgeback and I’ve had my hair done. (I know. There is a Murphy’s Law for Having Your Hair Cut – that will be when the wind gets up and the rain comes down but never mind).

Looking forward to sharing Part 2 of a great interview with the lovely Sophie Neville on Chandler’s Ford Today on Friday. Again see above. So inspired by this interview – it is a fabulous celebration of creativity I think.

Meantime, if you’re looking for a fabulous read, do check out the latest issue of Writers’ Narrative. Plenty to enjoy here. The theme this time is editing, a subject dear to my heart of course, given I’m an editor (freelance) and copy editor (WN), as well as an author. If you don’t receive the magazine regularly, you can subscribe for free and the link is given in the magazine itself.

Facebook – From Light to Dark and Back Again

It’s lovely to start the working week with a story. It’s just as lovely to end the working week with a story! Am pleased to share my latest on Friday Flash Fiction – Time For A Change. What will Maisy do when her household objects go on strike? Find out here. Hope you enjoy the story.

Screenshot 2024-04-12 at 10-07-07 Time For A Change by Allison Symes

Flash collections are joy to put together. I like to mix up the genres and the moods of my stories in mine. I like to think of this as giving a demonstration of what flash is and can be. I also don’t want to write or read “doom and gloom” tales all of the time, though they do have their place, which is why I like to ensure there is a good mix of humorous flashes, as well as darker ones in my books. Life is made up of humour and darker stuff so I think it apt my stories and books reflect that.

The one thing I have found I haven’t been able to write about at the time or now is the pandemic. I just wanted to escape all of that in my fiction, whether I was reading or writing it. That has remained the case. My publishers did bring out a couple of Covid related anthologies but I just couldn’t write anything on that. I suppose everyone has their blind spots.

If I have got to choose one overall favourite form of fiction, it is humorous writing, whether it is Austen, Pratchett, or Wodehouse (and there’s a trio to conjure with!). Never fails to cheer me up and I will always prefer that kind of fiction rather than the “more worthy” kind. Nothing wrong with humorous writing. Phenomenally difficult to get right.

I do have fun with my titles. I like to keep them as open as possible so readers have to find out which way I’ve taken them and that can only be done by reading the story. But I especially love “innocent” sounding titles like my Time for Tea in From Light to Dark and Back Again. My lead character in this thinks they’re being clever, but are they right to think it? Do check it out via my Amazon Author Central Page.

Give some thought as to what you want your titles to convey to a reader. Proverbs/sayings can make for excellent titles, as well as themes, and I’ve sometimes changed one word in these to “subvert” them for my own purposes. (Punish the Innocent from FLTDBA is an example of this).

Every so often, I do jot down potential title ideas and come back to them later. If they still seem good, I’ll get a draft done. But time away from possible ideas is just as important as time away from the first draft of a stale. You need that break to judge them objectively.

Screenshot 2024-04-11 at 20-09-53 Allison Symes books biography latest update

Fairytales with Bite – Openings Don’t Have to Be All Once Upon A Time

Many of my flash fiction tales are what I call fairytales with bite. They involve a magical character (fairy godmother, witch etc) and I dump them in a situation they have to get out of quickly. Sometimes they call on their powers. Sometimes doing that would make things worse and they have to find another way of resolving their issues. Often there is a humorous twist to my fairytales with bite and I love writing them.

The classic opening for fairytales from childhood stories of course remains as Once upon a time and I remember just hearing those four words meant it was time to settle back and enjoy having another fairytale read to me as a child. Many happy memories there! (And when I could read the books for myself as an older child, I still appreciated that opening. I knew what was to come by then but it didn’t spoil the story, far from it in fact. It was time to eagerly anticipate enjoying a favourite tale).

For my own stories though, I like to show a character in action (and this can include showing their thoughts indicating the attitude of the character immediately) or their setting.

I like to establish it is a magical environment quickly so readers know what to expect. Sometimes I do that by just revealing the character is a dragon, fairy godmother, so if magic is then used to help resolve the problem, readers aren’t surprised by it and it doesn’t seem coincidental. That matters. Coincidences never ring true in any kind of fiction.

So think about what you want your opening to convey to your readers. What do they need to know quickly? How will you show your setting is a magical one?

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This World and Others – The Stories Your World Treasures or Fears

Every culture has its stories. Some will be stories they treasure. There will also be those that “are buried” and there can be various reasons for that. For example, there are some violent stories in most countries’ histories. Some of those will be remembered (at events like Armistice/Veterans’ Day). Others will be “not talked about”, often because they’re frankly embarrassing and, rightly, the countries concerned have moved on – rightly so too.

So when it comes to your stories and your sci-fi/fantasy/fairytale settings, which stories would be recognised and acknowledged by your characters and those who rule over them? Which stories would be ignored or deliberately suppressed and why? What would happen to anyone uncovering those tales (and it is inevitable someone would! When there is a secret in fiction, someone is bound to reveal it!).

Think about who told those stories. Did they know what the consequences would be? Did they suffer for their art? Or were those stories not approved of at the time of your setting looked on very differently going further back into your setting’s past?

Attitudes can change over time and that can also apply to stories. What would have been approved of years ago may well be condemned now (and vice versa).

Are there stories your world fears because they could so do much damage if these were more widely known? What do the authorities do to keep those stories restricted to limit the risk of that damage ever happening and are they right to take this action?

Stories can convey truth. Not everyone welcomes that. So definite ideas for your own tales could emerge from that thought.

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WRITERS NARRATIVE SUBSCRIBER LINK

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AMAZON AUTHOR CENTRAL – ALLISON SYMES

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Writing Prompts and Publication News

Image Credit

As ever, images are from the fantastic Pixabay, unless otherwise stated.

Facebook – General – and

Association of Christian Writers  – More Than Writers

My turn on the Association of Christian Writers’ blog spot, More Than Writers.

I’m on the 29th so that means I get every three Februaries off! 😆😆

Hope you enjoy the post and find it useful. Mixing up how you write stories is fun and keeps you on your toes too!

I talked about writing prompts in my monthly slot for the Association of Christian Writers today. As well as sharing some tips, I share a story I produced using one of the tips. Annoyed librarians may well like it… hmm… go on have a look then!😊

What I’ll add here is that I’ve found it useful to mix up how I approach writing a story. It keeps things interesting for me. It keeps me on my literary toes too.

By mixing up the methods, I avoid the dangers of becoming formulaic too. I don’t want any of my stories to sound the same to a reader after all. What I do want is someone to read my stories and spot my voice through them all, but to also enjoy each tale for its uniqueness. My characters are very different people after all. The way I tell their stories should reflect those differences too.

 

Facebook – General

Loved the finale to Doctor Who but that’s all I’m saying about that. It is nigh on impossible to say anything else without unwittingly revealing a spoiler so best not, I think. Give it a week and then I should be all right on that!

Well portrayed characters, for good or evil, will keep you glued, whether they’re on the page or on the screen. The challenge as a writer is to ensure the characters you create have that quality to keep a reader hooked. How do you make the readers care about what happens to your people?

Firstly, YOU’VE got to care what happens! Thankfully this happens rarely but I have come across instances where I’m bored with a character portrayal and I suspect the author became bored too.

Secondly, your character has got to have a problem that must be resolved somehow. It doesn’t necessarily have to be a life or death problem, though that is obviously a great one for winding up the tension in a tale, but the issue your character HAS to resolve must be something they can’t run away from. Their situation won’t improve until they DO do something etc.

Thirdly, your character mustn’t give up easily. When their initial attempt(s) to get out of their situation fail, how do they react? Do they learn from their failures? What gives them the break through to success?

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Facebook – General and From Light to Dark and Back Again and Publication News

Story time again. Hope you enjoy. A little humour at the end of a busy Monday is never a bad thing!

Taking Time Out From the Day Job is my latest tale on Cafelit. (I’ve written flash fiction tales with fewer words than the title for this one in my time but there you go!). I have every sympathy for my lead in this one.

It’s lovely having one of my humorous fairytales with bite up on Cafelit.

Taking Time Out From the Day Job shows what happens when a fairy decides to do just that.

Hope you enjoy reading it. I loved writing it but then I do adore characters like this one.

It is a real contrast in mood from my recent linked stories on Cafelit but now you know why my collection is called From Light to Dark and Back Again. It sums up what I write!

Just to say that #ParagraphPlanet archive stories at the end of each month and the February 2020 “lot” are now available. See the link.My Time Is Everything is amongst the collection here. #flashfiction #amwriting #75wordstories

Is it easier to write to a specific word count or write the story first and then work out what the word count would suit it best?

Hmm… I’ve done both. The discipline of working to a specified word count is a great one and keeps you on your toes. It really does force you to check that each and every word has to be included in your tale. If there’s anything that doesn’t carry its weight, out it goes.

When I am working to a theme or title (often generated by random word generators), I write the story first. I see what I have, edit it, and then decide on whether it would work better at 100 words or 200, for example.

However you write, have fun!

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Facebook – From Light to Dark and Back Again

Conflict in stories can take many forms of course but some of my favourite tales are the ones where a character is in conflict with themselves.

This is why I find Gollum from The Lord of the Rings an interesting character. You know you can’t trust him but I found on reading the tale for the first time, I desperately wanted him to somehow come good at the end. (And I’d say it’s open to interpretation whether he did or not. I am with Gandalf on this one when he says Gollum had his part to play in the history of the Ring and left it there).

In my story, Rewards, which is one of my longer flash tales, I use thoughts to show my lead character’s conflict. The reason this tale needed to be towards the upper end of the flash limit was because I needed some space to show those thoughts and then how my character acted on them.

But then that’s the joy of flash. You can go from the tiny tales in terms of word count to the longer ones but still have a limit you need to stick to. (I do find that a really good writing discipline. It’s why when I prepare my Chandler’s Ford Today posts I set my own word count and stick to it. I have to have parameters!).

The conflict a flash fiction writer has is deciding what word count will work best for their story. Sometimes you do have to go to the upper limit. Sometimes you can say all you need to in 100 words or less. Always think of the impact of the story on a reader. Don’t water it down by padding it out. If the conflict in the story is played out in 250 words, leave it there! But if you need 999, that’s fine too.

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Symbols have a great deal of meaning of course. Can they be used in flash fiction?

Yes, as long as readers are likely to know the meaning of the symbol or can get to the meaning from context. As with any writing, clarity is the important thing here.

Could you come up with your own symbols for your characters?

Yes but it would be useful to base them on what we already know.

For example, red roses are associated with love but what could black roses be associated with?

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Reviews are so important for any writer for a variety of reasons but the good news is they don’t have to be lengthy. One or two lines would be absolutely fine. A big thank you, while on topic, to all those who have been kind enough to review From Light to Dark and Back Again.

So if you’re looking for a way to support author friends, do review their books. The one caveat is reviews have to be honest for them to have any meaning. Honest reviews also aren’t usually at risk of being taken down!

https://www.amazon.co.uk/…/B07T…/ref=dp_byline_cont_ebooks_1

 

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Goodreads Author Blog – Story Openings

What is it about a story opening that makes you want to read on?

For me, either the character has to be “hitting the ground running” in such a way, I’ve got to find out what happens to them, or the set up is intriguing enough to make me want to read on.

Mind you, I don’t think I’ll ever tire of the classic fairytale opening of “once upon a time”.

There is the wonderful association with happy childhood reading of those great stories. That opening just, for me, sets the tone for what is to follow.

I know to expect fairy godmothers turning up at surprisingly convenient moments. (I’ve always wondered why Cinderella didn’t berate hers for not coming to her aid a lot sooner but that’s another story).

I know to expect talking animals (and I should imagine the Three Bears had quite a bit to say about Goldilocks that was best kept off the page. I know how I’d feel if someone destroyed my chair and bed – though they’d be welcome to the porridge. I’ve never liked the stuff!).

I know to expect the villains to get their comeuppance. It’s just a question of finding out how and when.

And there is something wonderfully poetical about Charles Dickens’s opening to A Tale of Two Cities (which I confess I’ve not read but is on my To Be Read list), but even I love the sound of “It was the best of time, it was the worst of times” and the rest that follows. The rhythm of that opening paragraph is amazing.

So what I’m saying here is I want a story opening to take my breath away so I have to read on. Now there’s a challenge for any writer (including me!).

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Word Play

Facebook – General – and Chandler’s Ford Today

One joy of writing is the joy of reading. This is partly because it makes sense to read from (and therefore support) the industry you want to join! Also, you need to read widely to discover the range of writing out there and to find out from that what it is you want to write. There’s also the sheer pleasure of reading well crafted stories that inspire you to work harder on your own!

Playing with Words, as my CFT post this week discusses, is both a fun and invaluable thing for writers to do.  My post this week also pays tribute to Denis Norden and celebrates puns and playing with language.

 

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I like to “hit the ground running” when I write flash fiction and do so in a number of ways.

I can take you straight into the lead character’s thoughts, or show you an image of them doing or reacting to something. I also try to show you their general attitude within the first couple of lines. Attitude in itself can tell you so much about what a character is likely to be like (and whether you would like them or not!).

I can also show you a character’s observations such as in my Circle of Life. That opens with “People throw kittens in the river here. I hate that.” Immediately shows a conflict. Immediately shows an attitude at odds with the view held by others around the character. You also know they’re going to do something about it. It is a question of what and will they get away with it?

With all of these different kinds of opening, I am aiming to provoke curiosity in the reader to make them want to find out more.

My CFT post this week looks at Playing With Words. I also pay tribute to the late Denis Norden, who along with Frank Muir, was a wonderful wordsmith. Link up on Friday. I also take a look at puns. (Muir was wonderful on Call My Bluff years ago and Norden – well, I loved his dry wit and manner – and Take It From Here, written by them both, was a forerunner for modern radio comedy).

Two of my favourite ways to end a flash fiction story are a twist in the tale finish or a punchline. Both of course can revolve around puns. I love playing with language but one of the great joys of loving books is coming across others who are masters at this sort of thing. Their work is a joy to read and/or listen to and if you haven’t come across a copy of Muir and Norden’s My Word Ultimate Collection, do yourself a favour and dig out a copy from somewhere. If you like tall tales and puns, as I do, this is a fabulous book.

Facebook – From Light to Dark and Back Again

Flash fiction can be a great vehicle for (a) puns (as part of a punchline to finish with) and (b) short, sharp humorous moments. A good funny flash fiction will not only make you laugh but you should be able to spot other potential for humour had the story been a longer one.

The lovely thing is you can combine humour with other things such as poetic justice to create a great story. Characters being annoyed at the situation they’re in may well make you smile in recognition of their predicament. The situation is rarely funny for the characters themselves. Shouldn’t stop us smiling though!

My late mum always believed in being short and to the point. Think she’d be pleased I take the same approach by writing flash fiction!

You lose any fear of killing adverbs or cutting whatever isn’t necessary for your story when you write flash and, of course, you can carry that over into whatever other writing you do. There’s no chance of getting confused over your characters either given, realistically, you only have the room for 1, maybe 2, main people.

I admit I do miss the fact you can’t have subplots in flash fiction, that really is the privilege of a short story or a novel, but I do love being able to cut to the chase with the very short tale. Definitely a case of you pays your money, you take your choice here.

Time for some autumnal flash fiction one-liners, I think. Hope you enjoy.

1. There were some things brought down by the autumn winds that would have been best left undisturbed.

2. The mouse scoffed the loaf that was meant for the church’s Harvest Festival display, much to the vicar’s chagrin.

(A case of For what we have received, we are truly grateful, I think!).

3. Would the leaves come down deeply enough to cover a body, she wondered?

4. With the nights drawing in, there was more scope for planning and executing the perfect crime.

5. It would be easy enough to do, he thought, given she always has soup at lunchtime on these cold days.

Hmm…. it looks like I’m in a criminal frame of mind this evening!

 

Is it harder to write longer fiction where you have to keep the readers enchanted enough with your writing to follow the story through to the end or more difficult to write short, sharp stories?

I wouldn’t like to judge on that one as both have their challenges and their joys. Both are vital for ensuring literature has a wide range of styles and lengths of story to suit all tastes.

One problem I face when editing flash fiction is ensuring I keep the important details in as it can be easy to cut far too much out to keep to a set word count and the story is the poorer for it. In those situations, I let the story go what is its natural length whether it’s 50 words or 500 or 1500!

The acid test for me is the editing is done when I cannot add to the story or take away from it. It is a question of not overegging the pudding or cutting back so harshly you have a limited story left. Anything that dilutes the impact of the story on a reader, and that can include harsh editing, is out.

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Goodreads Author Programme – Blog – Playing with Language

One of the joys of reading across a wide range of genres, including non-fiction, is discovering the different ways authors play with language.

For me the late Denis Norden and Frank Muir were great exponents of this and one of my favourite paperbacks is their My Word The Ultimate Collection. This is full of puns and tall tales galore! Bliss and an addictive read.

I like crisp, punchy styles of writing but every so often you come across a line or two that are just so engrossing, they almost take your breath away. P.G. Wodehouse was a master at creating worlds within what would be considered now very long sentences, but you simply have to read to the end.

I suppose the real test of a good story is does it provoke your curiosity enough so you read it through regardless of the style or genre in which it was written?

Fairytales with Bite – Fairytales A to Z Part 8

Since the alphabet doesn’t divide neatly into three, I will conclude this mini series tonight with the final five letters – V through to Z.  Hmm… going to have fun here I think!

V = Variation
Whatever genre you write in, there should be variation in the types of character you portray.  A story with all heroes is no story at all!  There has to be a villain somewhere (even if the characters concerned don’t think they’re villainous at all).  Also, in a magical setting, there should be variation in how much magical ability characters have.  If they all have unlimited powers, where is the conflict? You’d have a stalemate situation.  The characters know they can’t better each other, at least not with their powers.  So vary things, mix things up, deliberately drop your characters in it, and see what happens!  This is very much the fun side of writing.  You will soon find out who your strong characters are.

W = World
The world you set your stories in can almost be a character in itself.  It needs to be believable, no matter how fantastical its powers or setting.  There must be things about that world we can identify with here.  For example, every world has to be governed somehow so politics has to rear its (at times) very ugly head.

X = Xeno (meaning strange!  Confession time: did have to look it up.  I could have gone for X-rated for this but felt it was too obvious.  I also want to remember this word next time I play Scrabble!).
So word of the week for me is this one then!  Seriously, though, no matter how strange the world you’ve created is, there still has to be something about it that fascinates a reader.  If it is too odd, you risk alienating the reader.  Does that mean your world has to be a sensible one?  Not necessarily.  There has to be a point to what the world does.  If it mines balloons for example, it would make sense to do that if is that world’s chief export to its nearest neighbour.  I did like Monsters Inc for showing why the monsters had to get the children’s screams (they needed it as it was their power source) and I liked it even more when the monster world discovered making the children laugh was a greater source of power.

Y = You
The first fan of your writing should be you.  Your fairytale, whoever it is aimed at, must first convince you.  Is the magic a vital part of the story?  It should be for a fairytale. Do your characters have to get themselves out of trouble without magic?  Even better!  You should enjoy what you write and at the same time be open to where it can be improved.  Not an easy balance to strike which is why it is such a good idea to put work aside for a while and then re-read it.  You will come back to the story with a more open mind, having had the break from it.

Z = Zippy
There will be many in the UK especially who will remember Zippy as a character from children’s TV show, Rainbow!  However for this, I mean zippy in terms of lively.  Your fairytale should be a lively read from start to finish.  Your characters should be lively and engage with your reader.  (This is why if you enjoy your writing, there is every chance others will too.  As for the feeling after reading something you’ve written “this is rubbish”, bear in mind every writer goes through that.  This is another reason for putting work away for a while before coming back to it).

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This World and Others – Playing with Words

Playing with Words is not just the title of my latest CFT post but the theme for this week for me.  I also take a look at this topic on my latest Goodreads blog.

So how do I like to play with words then?

1.   I like twist endings to a lot of my stories so there is a lot of playing with words to be had there in coming up with a twist that works.

2.    I sometimes end stories with a punchline which often revolves around a pun.  Puns are the very definition of playing with language!

3.     I like to take known phrases and play with them to come up with something that has “echoes” but which is also unique to my story.  For example, we usually talk about punishing the guilty for crime etc but my story in From Light to Dark and Back Again is deliberately called Punish the Innocent.  The idea is to get you wondering (a) why would someone want to punish the innocent, (b) do they do so, (c) were the innocent that guiltless after all?

I sometimes use spider diagrams to help me work out in which directions I could take a story idea and then I pick the one that I like the best.  Playing with words here helps me come up with thoughts deeper than my initial “obvious” ideas and therefore I hope a more original story line.

 

 

 

 

This, for me, would be a magical place to be. Image via Pixabay

ONCE UPON A TIME…

BOOK NEWS: FROM LIGHT TO DARK AND BACK AGAIN

Am pleased to say there is now one Amazon link to both the paperback and Kindle versions of my debut flash fiction collection, From Light to Dark and Back AgainThe Kindle version has the wonderful Look Inside feature on it (which I always use when I’m browsing books online).

OTHER NEWS

Sorry again for the no-show last night.  It has been one of those weeks but hopefully back to normal now.

FAIRYTALES WITH BITE

Once Upon a Time discusses story openings.  I love the classic beginning of a fairytale but don’t use this myself.  I try to “hit the ground running” and I share an example of one of my story openings which will hopefully appear in my next flash fiction collection.  I also discuss what I like story openings to “do”.

THIS WORLD AND OTHERS

How to Annoy a Writer is one of those perennial themes.  I share some of what I’ve come across and also suggest what might happen to you if you annoy a crime writer, a fantasy/fairytale writer and a horror storyteller.  Any thoughts on what has annoyed you as a writer would be welcome.

FACEBOOK PAGE

I discuss the one quality I like to see in any character in any genre.  What is it?  Go and see!  Do you agree with me?

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All books are gateways to other worlds, fantasy and science fiction especially I think. Image via Pixabay.

What is the ONE quality YOU look for in a character, regardless of genre?  Image via Pixabay.